Breedlove Oregon Concert E Myrtlewood Acoustic-Electric Guitar with Hard Case
The individual character of each set of myrtlewood presents art as well sonic power and clarity from the Oregon grown myrtlewood top, back and sides. Denser than Sitka spruce, we sand the tops thinner achieving a voice that is lively and crisp, with powerful projection and detailed note articulation.
Body Shape
The Breedlove Concert is the original Breedlove shape. It first appeared in 1992, and has been the best-selling Breedlove body shape ever since. Designed specifically for the fingerstylist to be well balanced, compact, and comfortable to play, it generates a wonderfully articulate range of tone with an ample low end that is never boomy, but always felt. The unique construction also allows the Concert to sing even at a full strum. If you’re a fingerstylist, or are seeking an instrument to use as vocal accompaniment, this is the shape for you. The Concert is engineered to provide exceptional sustain with a pronounced bass response, both of which can be achieved with a light touch.
Breedlove Neck
Breedlove guitar necks feature a slimmer neck profile, which enables comfortable play, even with smaller hands. Unlike traditional dovetail neck joints that require major surgery for a neck re-set, it is easy to adjust the play action and neck angle with the Breedlove bolt-on neck and single-action truss rod. The hand-rubbed, semi-gloss Breedlove neck finish contributes to ideal playability – the finish process alone takes three days, including precise finish coat applications, fine sanding, and hand buffing and rubbing.
Asymmetrical Headstock
The asymmetrical headstock is featured on CM, Concert, Auditorium, and 12-String body shapes. This headstock isn’t just a pretty shape – it’s specifically designed to keep the strings in a straight, even line from the nut to the tuning pegs. The result is even tension, stable tuning, and ease of alternate tuning.
Back and Side Woods
Myrtlewood, umbellularia californica, formerly oreodaphne californica, originates in the western United States in Northern California and Oregon. Myrtlewood offers a strong fundamental with a powerful voice. Similar to maple, it has a clear and bright voice with superb projection and sustain, and offers a full and balanced sound. A versatile non-traditional tonewood, it is a favorite for many styles of playing. Myrtle has very unique and widely varied figure – no two sets are alike. Coloration ranges from blonde to taupe.
Top Wood
Myrtlewood, umbellularia californica, formerly oreodaphne californica, originates in the western United States in Northern California and Oregon. Myrtlewood offers a strong fundamental with a powerful voice. Similar to maple, it has a clear and bright voice with superb projection and sustain, and offers a full and balanced sound. A versatile non-traditional tonewood, it is a favorite for many styles of playing. Myrtle has very unique and widely varied figure – no two sets are alike. Coloration ranges from blonde to taupe.
- Body Type: Concert
- Neck Wood: Eastern hard rock maple
- Solid Wood Top: Myrtlewood
- Solid Wood Back & Sides: Myrtlewood
- Top Finish: Gloss
- Back & Side Finish: Semi-gloss
- Fretboard: African ebony
- # Frets: 20
- Nut Width: 1.75”
- Tuners Hardware: Breedlove, nickel
- Lower Bout Width: 15.37"
- Waist Width: 9"
- Upper Bout Width: 11.28"
- Body Length: 19.875"
- Body Depth: 3.75"
- String Gauge: D'Addario EXP 16's
- Pickup: LR Baggs EAS VTC
- Bridge: Delta bridge, African Ebony
- Binding: Black
- Inlay: Offset dots
- Scale Length: 25.5"
- Sound Hole: 4"
- Crafted In: Bend, OR USA
Condition | New |
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SKU | BLV-ORE-CLTD-2 |
UPC | 4056814864 |