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Presonus Eris 8 E8 8" Active Studio Monitor Pair with Stands, Isolation Pads, and Mogami Cables

SKU
BU-PS-ERIS-E8-1
Presonus Eris 8 E8 8" Active Studio Monitor Pair with Stands, Isolation Pads, and Mogami Cables
Presonus Eris 8 E8 8" Active Studio Monitor Pair with Stands, Isolation Pads, and Mogami Cables

Presonus Eris 8 E8 8" Active Studio Monitor Pair with Stands, Isolation Pads, and Mogami Cables

Presonus Eris 8 High-Definition 8" Active Studio Monitor E8

If space is at a premium, or if you want the ultimate in portability, consider the ultra-compact Eris E4.5. It may be the size of a computer speaker, but this mighty mite delivers professional audio quality, thanks to a 4.5-inch, Kevlar low-frequency driver; a low-mass, 1 inch, silk-dome tweeter with protective grille; and Class AB amplification. Each speaker is powered by a 25W Class AB amplifier—plenty of juice for a small speaker. The E4.5 ranges from 70 Hz up to 20 kHz, and at 6.42 x 9.45 x 7.09 inches (163 x 241 x 180 mm), you can shoehorn this little beauty into almost any studio space.

 

The next step up in size and power is the Eris E5, which takes up just 7 x 10.24 x 7.68 inches (178 x 260 x 195 mm). The E5 sports a 5.25-inch, Kevlar low-frequency driver, mated with a 45W, Class AB amplifier; and a 1-inch (25 mm), silk-dome tweeter powered by a 35W, Class AB amplifier. It can crank out a clean 102 dB SPL, peak. Frequency response is rated at 53 Hz to 22 kHz. For a studio monitor in its size and price class, that’s impressive.

 

For an extended low-frequency response and a bit more muscle, step up to the Eris E8. With its 8-inch, Kevlar low-frequency transducer, driven by a 75 watt, Class AB power amplifier, it can range down to 35 Hz. Like the E5, the E8 can reach all the way to 22 kHz, thanks to a 1.25-inch (32 mm), silk-dome, high-frequency tweeter. However, the E8’s tweeter is driven by a heftier 65W, Class AB amplifier. With its extra juice, the E8 can deliver up to 105 dB SPL, peak.

All Eris speakers have front-ported enclosures made of vinyl-laminated, medium-density fiberboard (MDF).

 

Gazintas

 

Eris E5 and E8 provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. When both balanced connections are in use, the TRS input will supersede the XLR input. The RCA input is summed into the signal path.

With this selection, you’ll have no problem hooking your Eris E5s or E8s up with virtually any line-level source. (If your signal source has unbalanced, ¼” TS outputs, simply use a ¼”-to-RCA adapter or adapter cable.) Notes Media-Mixture.de (Germany), "For connections and adaptability to the space, PreSonus makes no compromises."

 

The E4.5 has balanced ¼” TRS and unbalanced RCA inputs, as well as unbalanced 1/8” inputs for your smartphone or MP3 player, giving you all the flexibility you need when replacing computer speakers or those old studio monitors that have misled your ears for the last time.

 

Take a moment, if you will, to consider the E4.5’s balanced TRS inputs; balanced inputs help you minimize noise—a pro feature you won’t find on competing speakers in this class. That’s not the only professional-class feature you get with Eris speakers that competitors can’t match, though. Next, we’ll discuss some higher-end features that truly set Eris apart from other budget-priced studio monitors.

You’re in control!

 

Today’s music producers deal with a wide variety of musical genres and often work in more than one location. It’s easy to take your Eris speakers with you when you want to work in a different space. It’s almost as easy to customize their sound for your room and type of music.

 

The most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system—that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you’ve gain-staged your system, you can leave this control alone.

 

The Eris E5/E8 provides three EQ controls in its Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the E5 or E8 with a subwoofer.

 

In addition to the Acoustic Tuning controls, Eris speakers offer a three-position Acoustic Space switch. This switch controls a second-order, low shelving filter that cuts the level of all frequencies below 800 Hz by a specified amount (-2 or -4 dB) to compensate for the boundary bass boost that occurs when the monitor is placed near a wall or corner. If you don’t want to roll off those lows, set it to 0 dB.

 

This combination of controls lets you create a linear response for accurate monitoring and enables you to simulate different listening environments, so you don’t have to listen to mixes on your car, consumer computer speakers, and home stereo to check how the music sounds with different systems. Instead, you can adjust the Eris monitors’ response and test your mixes without leaving your studio. No other monitors in this price class offer this degree of control.

 

 

Ultimate Support JS-MS70 Jamstands Adjustable Studio Monitor Stands (Pair)

If you're just starting out and have smaller studio monitors that you'd like to set on stands, the JS-MS70 is the perfect solution for you! The stable low-profile base can easily be positioned into tight spaces and includes both leveling floor spikes for carpeted areas and rubber feet for hard wood and tile surfaces. The JS-MS70 has four heights from 32.5" to 44.25" and can be securely locked into place with the included locking pin.

 

Features

 

  • Height-adjustable stand for studio monitors
  • Locking pin ensures stable and accurate height positions
  • Leveling floor spikes and rubber feet included
  • Low-profile base can be easily positioned into tight spaces

 

Mogami Gold 1/4" TRS Male to XLR Male Cable - 10 ft

This balanced patch cable with gold-pin/black body ¼" TRS and male XLR connectors is a popular choice for powered speakers. Mogami Gold TRS-XLRM uses Neglex™ Studio Quad cabling, legendary for clarity and freedom from noise/RF interference. Neglex™ type Quad cables are designed for the highest quality recording applications where maximum definition is critical. 

Features

  • The finest patch cable you can buy for neutral tone and noise rejection
  • Conductor insulation is XLPE (Cross-Linked Polyethylene) for excellent sonic clarity
  • Mogami Signature Ultra High Density Spiral Pure Copper Shield for superior sound quality and silent background
  • A perfect choice for high end audio equipment
  • Lifetime warranty

WARNING: This product can expose you to chemicals including lead, which is known to the State of California to cause cancer, reproductive, and developmental harm. For more information, visit www.p65warnings.ca.gov

 

Auralex MoPAD Monitor Isolation Pads for Studio Monitoring

Your loudspeakers are the most critical components you use to verify the quality of your work. No matter how good your mixer, mics, preamps, cables, and other pieces of gear that you've invested in, you're not truly hearing what your recordings sound like until you isolate your monitors from their environment.

This is where the Auralex MoPADs come in. MoPAD Monitor Isolation Pads provide sonic isolation between your monitors and whatever your monitors are resting on, INSTANTLY improving the accuracy of your entire monitoring system.

MoPADs are designed so that they can be used to support virtually all sizes of bookshelf loudspeakers or recording monitors up to 100 lbs. each. While some smaller loudspeakers may be sufficiently supported by a single MoPAD, most require the support of two MoPADs.

MoPADs are affordable, easy to implement and really effective at decoupling your monitors from your room and all its contents. You've gotta get some! Until you do, you'll never know what your recordings really sound like.

MoPADs are extraordinarily effective AND really versatile. There are 5 different positioning options available. By using the included MoPAD Wedge Adjusters, you can adapt your loudspeakers to listening angles of -8°, -4°, 0°, +4° and +8°, as shown below.

  • Dimensions: 12" long x 4" wide
  • Weight Limitations: 100lbs.

 

 

Presonus Eris 8 High-Definition 8" Active Studio Monitor E8

4.5-inc (E4.5) / 5.25-inch (E5) / 8-inch (E8) Kevlar® low-frequency transducer

 

1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer

 

50 (E4.5) / 70 (E5) /130 watt (E8), Class AB biamplification

 

Front-firing acoustic port for superior bass-frequency reproduction

 

Midrange (±6 dB, continuously variable), HF (±6 dB, continuously variable), High-Pass (Off, 80 Hz, 100 Hz) and Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour

 

RF interference, output current limiting, over-temperature, transient, and subsonic protection

 

Optimized, resonance-suppressing internal bracing

 

Balanced ¼-inch TRS and unbalanced 1/8-inch TS, RCA inputs (E4.5)

 

Balanced XLR/¼-inch and unbalanced RCA inputs (E5 / E8)

 

1/8-inch stereo headphone output (E4.5)

 

100 dB (E4.5) / 102 dB (E5) / 105 dB (E8) maximum continuous SPL

 

 

Ultimate Support JS-MS70 Jamstands Adjustable Studio Monitor Stands (Pair)

  • Product Name: JS-MS70
  • Part Number: 17441
  • Locking Heights: 32.25”, 36.25, 40.25”, 44.25” (819mm, 1022mm, 1124mm)
  • Platform Dimensions: 9” x 9” (229mm x 229mm)
  • Base Dimensions: 17.25” x 17.25” x 17.25” (438mm x 438mm x 438mm)
  • Weight: 8.4 lbs. (3.8 kg)
More Information
Condition New
SKU BU-PS-ERIS-E8-1
UPC 7019868052
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