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Zoom H6 Portable Handheld Recorder with Case, Accessory Pack, 32GB Card, and XYH5 Attachment

SKU
BU-H6AP32SKB-XYH5
Zoom H6 Portable Handheld Recorder with Case, Accessory Pack, 32GB Card, and XYH5 Attachment
Zoom H6 Portable Handheld Recorder with Case, Accessory Pack, 32GB Card, and XYH5 Attachment

Zoom H6 Portable Handheld Recorder with Interchangeable Mic Capsules

The groundbreaking H6. It will change the way you think about recording forever.

Here at Zoom we've been building innovative, great-sounding products for the past thirty years. But with the revolutionary H6—the most versatile portable recorder ever—the bar is raised further still. Four interchangeable input capsules—X/Y, MS, Shotgun, and Dual XLR/TRS Combo—make the H6 the ultimate chameleon of the audio world, and its advanced preamps make it the best-sounding one too. Whatever your application—live recording, professional film/video work, or broadcast ENG (electronic news gathering), etc.—the H6 can handle it with ease.

Inputs:
The H6 offers four main inputs (1-4), plus two additional inputs (L, R) that are derived from whichever capsule (X/Y, MS, Shotgun, or Dual XLR/TRS Combo) is plugged into the unit. The supplied XYH-6 X/Y capsule also provides a secondary input for connecting an external mic- or line-level signal via a stereo 1/8" Mic/Line In mini phone jack. When a connection is made to that jack, signal from the X/Y microphones is muted. 

All four main H6 inputs (inputs 1-4) are combo connectors that can accept either XLR or 1/4" balanced or unbalanced phone cables. They can handle both micand line-level signals, which means that you can connect either external microphones or line-level devices like mixers, portable music players, electronic keyboards, or electric guitars or basses with active electronics (passive electric guitars or basses can also be connected with the use of a mixer or effects device). Internal switching contacts automatically detect the circuit of choice.

Each of the six inputs (that is, 1-4 as well a L, R) has a dedicated gain control knob. In addition, the four main inputs and the EXH-6 capsule feature a -20dB pad, allowing you to prevent distortion even when high-level signals are introduced. In fact, with the use of the Pad switch, the H6 can input a signal 30dB louder and 14dB softer than any other Handy Recorder model. In addition, all capsules utilize higher voltage preamps (5 volts instead of the more commonly used 3 volts) for distortion free recording, even at high volumes. A built-in instrumentation amp allows signals to be transmitted with minimal noise even when long cables are used. 

If you're using high-quality condenser (powered) microphones with the H6, no problem—a simple menu option allows the unit to provide Phantom Power (either +12, +24, or +48 volts) to any or all of the main inputs (inputs 1-4). Inexpensive condenser microphones requiring Plug-In Power (2.5 volts) can be connected to the X/Y capsule's stereo 1/8" Line In jack.

Outputs:

The H6 Line Out is an unbalanced stereo 1/8" phone jack, located on the bottom of the H6, beneath the LCD display. It carries the analog stereo output signal, as determined by the H6's internal mixer. 

The H6 USB port, located on the side panel to the right of the LCD display, provides a digital output of either a stereo mix or the six individual input signals, depending upon the setting of the "Audio Interface" function in the USB menu. 

In addition, the H6 provides a headphone output with a dedicated volume control, located on the side panel to the left of the LCD display. Connect your headphones to the stereo 1/8" mini phone jack for private monitoring of the stereo output signal. 

The H6 even has a built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections whatsoever. This speaker is automatically disconnected when connection is made to either the Line Out or Headphone output.

 X/Y Recording:

The X/Y miking technique is optimal when you want to cover a wide area and still capture sound sources in the center with clarity and definition, making it great for all types of live stereo recording. 

The supplied XYH-6 X/Y capsule adds two matched high-quality unidirectional microphones to your H6. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern. These mics have the largest diaphragm size (0.579" = 14.6mm) of any ever available on a portable recorder.

The angle of the two mics can easily be changed from 90 degrees to 120 degrees for a wider stereo image (US Patent 8184815). 

Playing back stereo X/Y tracks in mono results in a fuller sound than you would get with one microphone, but if mono compatibility is critical (for example, in television production), the Mid-Side (MS) mic technique can be a better choice.

Mid-Side (MS) Recording:

Enter MS ("Mid-Side") recording: an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, making it especially useful for film, video and television projects. Sound like magic? Read on. 

Although the H6's supplied MSH-6 MS capsule appears to be just one microphone, it actually contains two mic elements, positioned directly on top of one another. One of the microphones inside the MSH-6 is unidirectional (that is, it is mostly sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides) while the other is bi-directional (that is, it is mostly sensitive to signals coming from directly in front and directly behind, and less sensitive to signal coming from the sides). 

Inside the H6 MS capsule, the directional ("Mid") mic faces forwards while the bi-directional ("Side") mic is set perpendicular to it.

The basic concept behind MS recording is that the Mid microphone picks up signal coming from the center, while the Side microphone creates ambience and directionality by adding or subtracting information from either side. 

The Mid-Side technique works well whenever you need a variable amount of room sound. It can also be used for studio recording, and its convenience and flexibility make it a good option for rehearsal and live concert recording as well.

Attach to a video camera as an external microphone:

The basic concept behind MS recording is that the Mid microphone picks up signal coming from the center, while the Side microphone creates ambience and directionality by adding or subtracting information from either side. 

The Mid-Side technique works well whenever you need a variable amount of room sound. It can also be used for studio recording, and its convenience and flexibility make it a good option for rehearsal and live concert recording as well.

File Types Supported:

The H6 can record audio in two different basic file types: WAV and MP3. The main difference between the two is that WAV files are uncompressed; that is, they contain all the recorded data without any "bits" (digital words) being removed. Thus, they provide full fidelity without compromise. The H6 can record up to six monophonic WAV files (or up to three stereo files) in any of the following formats: 

44.1kHz / 16-bit
44.1kHz / 24-bit
48kHz / 16-bit
48kHz / 24-bit
96kHz / 16-bit
96kHz / 24-bit

All WAV files recorded by the H6 are automatically time-stamped, making them fully compatible with the Broadcast Wave Format (BWF); in other words, they are "BWF-compliant." This is especially important when recording audio for video, because it allows the audio to be precisely synchronized with the onscreen action in postproduction. 

MP3 recordings are compressed, which means that some unnecessary data is removed prior to storage, making them much smaller than WAV files, and thus much easier to upload and download. Some MP3 files exhibit a slight loss of audio fidelity as compared with the original signal; however, this is not noticeable in all circumstances.

NOTE that when the MP3 file type is selected, the H6 only records in stereo; if you want to record in multitrack, you must select a WAV file type. The H6's internal mixdown function allows multitrack WAV projects to be easily reduced down to stereo MP3 or WAV, with independent control over each track's level, panning and pitch.

PRE-RECORD:
The interview started a splitsecond before you were ready. The conductor lifted his baton just as you were checking a cable. The talent went back on-air a moment too soon. 

No problem… as long as you're using the H6. Its Pre-record function automatically keeps the H6 silently but continuously recording in the background, all the time. Then, when you hit the RECORD button, it keeps the previous two seconds and appends it to the beginning of the file. It's as if the H6 had started recording two seconds before you actually got to hit the button.

BACKUP-RECORD:
Backup-record—the ultimate safety net. When turned on during the recording of WAV files, the H6 automatically records a duplicate set of L/R tracks, but with 12dB less input gain. Even if the original L/R track is distorted, chances are the Backup version is fine. 

You can listen to either set of tracks simply by going to the Backup File option in the PROJECT menu. When turned OFF, you'll hear the original L/R tracks; when turned ON, you'll hear the lower-level Backup tracks instead. Pick the one you prefer and use it as your L/R master. Bacon saved.

Auto-Record:
The Auto-record function allows the H6 to automatically start recording when a certain level of sound is detected. When turned ON and the RECORD button is pressed, the H6 doesn't immediately start recording; instead, it goes into a standby mode; as soon as an incoming signal exceeds the Start Level you've set, recording begins. 

There's an equivalent Autorecord Stop function, too. When turned ON, as soon as incoming signal drops below the Stop Level you've set, recording ends.

Onboard Effects:
The H6 provides an arsenal of effects that allows you to add polish to your recordings and compensate for any problems or limitations in the acoustics of the recording environment. 

A low-cut filter allows you to remove signal below a certain user-designated frequency (called a cutoff frequency). This is useful for eliminating pops, wind noise, blowing, transmitted resonance from an onstage mic stand and other kinds of low frequency rumble. 

Compression and limiting compensate for fluctuations in level; in essence, they act like an automatic volume control, reducing the level of louder sounds (that is, the sounds below a threshold point). The main difference between the two is that a limiter reduces louder sounds more severely.

The H6 allows you to choose from three compressor settings and three limiter settings. The two "General" settings (Comp1 and Limiter1) are all-purpose settings that will work well on most kinds of program material. The Comp2 and Comp3 presets are optimized for use with vocals and drums, respectively, while the Limiter2 and Limiter3 presets are optimized for use in live concert recording and small room "studio" recording, respectively. 

In addition, there's an onboard metronome and chromatic / guitar / bass tuner—both handy tools when recording musical content.

Battery Life & Recording times:
The H6 requires just 4 AA batteries—either alkaline or rechargeable NiMH—for power. Battery life (when using alkaline batteries) is more than 20 hours, even during continuous recording. An optional AD-17 AC adapter (included in the APH-6 Accessory Pack) allows you to power the H6 from any standard wall socket. 

The H6 records directly to SD cards. It supports standard SD cards as well as the newer SDHC and SDXC cards, up to 128 gigabytes, making it capable of accessing massive data storage.

Using the H6 as an audio interface:
The H6's USB port allows it to send and receive digital data. Connect the H6 to your laptop or desktop computer via USB, launch your favorite DAW or use the included Cubase LE , and start laying down your tracks. You can even connect the H6 to an iPad (camera connection kit required). 

When the H6 is set to "Stereo Mix" in the USB menu, it acts as a 2-input / 2-output interface; when set to "Multi Track," it acts as a 6-input / 2-output interface. The H6's onboard INPUT&OUTPUT mixer allows you to create a custom stereo or six-track mix for output via USB, with independent control over the level and panning of each track, as well as access to effects like low-cut filtering, compression and limiting. In addition, signal that is input to the H6 can be monitored directly before it passes through the connected computer or iPad, enabling monitoring with zero latency (that is, without any delay). There's also a handy Loop Back mode that allows you to blend stereo signal coming from the computer or iPad with signal coming into the H6 inputs, useful for live streaming via the Internet or for adding narration to a musical backing track.

ENG:
The H6 is the perfect audio companion for anyone doing ENG work, especially when it is used with the optional SGH-6 Shotgun mic capsule, as shown in this example. Here, the SGH-6 is being used to capture the news event itself, recorded on the L/R track. Because shotgun mics have a narrower focus (sometimes referred to as more "reach") than an average microphone, the SGH-6 is the perfect choice when covering late-breaking news at a distance. In addition, the SGH-6 does a great job of picking up the frequencies produced by the human voice. 

Two external handheld mics for the interviewer and interview subject are plugged into Inputs 1 and 3, with backup external lavaliers plugged into Inputs 2 and 4. The H6's onboard effects and powerful mixing functions make it the ideal field mixer; the low-cut filter can be used to reduce wind noise, and the compressor/limiter can be used to condense the dynamic range and thus make the audio more television-friendly. The six recorded tracks can then be mixed down internally to a stereo MP3 file for microwave or satellite transmission to the broadcast facility.

Rehearsal Recording:
Want to record your band as they rehearse? No problem, especially if you plug in the optional EXH-6 Dual XLR/TRS capsule, which allows six discrete mic- or line-level connections to be made to your H6. 

In this example, a stereo submix of the mics covering the drum kit is being fed from the PA mixer to the L/R inputs of the H6 via the EXH-6. The four main inputs are used as follows: the lead singer's mic is connected to Input 1; a microphone positioned in front of the guitar amp is connected to Input 2; a direct signal from the bass player's active electric bass is connected to Input 3; and an electronic keyboard is connected to Input 4. Thus, each instrument and vocal is receiving a track of its own (or, in the case of the drums, two tracks). 

Being able to spread your instruments and vocals over six tracks instead of four gives you an extra degree of flexibility that other handy recorders cannot provide. As you listen back to your song, new musical ideas may spring to mind, and that's where the H6's powerful overdubbing function comes into play, because it allows any of the tracks to be redone—up to 99 different takes—meaning that you can reshape your song after the fact.

Features:

• Interchangeable input capsules that can be swapped out as easily as the lens of a camera
• Six-track simultaneous recording
• Four mic/line inputs with XLR/TRS combo connectors
• Gain controls (real knobs!) and -20dB pads for each input
• Phantom power for all main inputs: +12/+24/+48V
• Large full-color LCD display, angled so it's easy to read in all environments
• Records directly to SD, SDHC and SDXC cards up to 128GB
• Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
• Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take
• Multitrack to stereo internal mixdown
• Independent monitor and playback mixes
• Virtual VU meters
• Voice memo and up to 99 marks per recording
• Overdubbing, up to 99 takes
• Built-in effects, including low-cut filtering, compression and limiting
• Onboard MS decoding
• Normalize, Divide and Trim editing
• Chromatic tuner and metronome
• Loop Playback with user-defined start and stop points
• Variable playback speed, from 50% to 150%
• Variable pitch per track without affecting playback speed
• USB port for data exchange to and from computer
• Multichannel and stereo USB audio interface for PC/Mac/iPad
• Camera strap mounts
• Mounts directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
• Accepts standard AA alkaline or NiMH rechargeable batteries
• Over 20 hours of operation with 4 AA alkaline batteries

 

Zoom APH-6 Accessory Pack For H6 Portable Handheld Recorder

We now also offer a special accessory package for H6 Handy Recorder. The APH-6 package includes a windscreen that provides a professional level of wind noise prevention, a remote controller with REC, PLAY, STOP and other functions and an USB-type AC power adapter. 

SKB iSeries Injection Molded Case for Zoom H6 Recorder with Shotgun Mic Slot

This military-standard waterproof hard case was specifically designed for the Zoom H6 recorders. The interior is custom cut high quality PE foam that includes space for the ultimate Zoom H6 recording setup. This includes pockets for the recorder, XYH-6 X/Y mic capsule, MSH-6 MS mic capsule, SGH-6 Shotgun mic capsule, EXH-6 Dual XLR/TRS Combo capsule, windscreen, memory cards, cables, and additional accessories.

Not only does the SKB Zoom H6B case provide the ultimate protection for the recorder, it is backed by SKB’s unsurpassed Lifetime Warranty. 

About our iSeries

SKB's iSeries injection molded waterproof cases are constructed of ultra high-strength polypropylene copolymer resin and feature a gasketed, waterproof, submersible design (IP67) that is resistant to corrosion and impact damage. Its molded-in hinges, patented "trigger release" latch system, comfortable, snap-down rubber over-molded cushion grip handle, secure stacking, and automatic ambient pressure equalization valve (MIL-STD-648C) all contribute to its military grade design.

 

Adata Premier SDHC UHS-I U1 ASDH32GUICL10-R Memory Card 32GB

As the demand for digital device storages continuously grows, the widely used SD memory card has evolved into the SDHC (Secure Digital High Capacity), including a new interface that enables faster transfer rates and a higher memory capacity. The ADATA SDHC Class 4 supports all consumer digital devices that are in conformation with SDHC specifications, including digital cameras, DV cameras and camcorders, PDAs, multimedia players, PCs, printers, card readers and more.

The ADATA SDHC Class 4 is manufactured in accordance with the SD Card Association’s SD 2.0 standards, making it compatible with all SDHC host digital products. Adopting the FAT32 file system format, the ADATA SDHC Class 4 unlocks the 2GB capacity limit of traditional SD cards and provides a minimum transfer rate of 4 MB/s, meeting Class 4 specifications and taking care of your needs for memory card storage and the best read/write speeds.

With a maximum storage capacity of 8GB, the ADATA SDHC Class 4can hold more than 2,000 MP3 files, 2,400 high-resolution JPEG photos or other digital data1. It also supports Error Correcting Code (ECC), which automatically detects and corrects errors during data transfer, preventing corruption and loss of your important data. Additionally, the SDHC’s In-System Programming (ISP) feature allows users to load the latest firmware and improve compatibility. The built-in write-protection switch keeps your data even safer, preventing accidental over-writing and file deletion.

ADATA is committed to quality and your peace of mind. Therefore, every ADATA SD card is manufactured under stringent guidelines to ensure the highest in quality and backed by a lifetime limited warranty.

 

Zoom XYH-5 X-Y Stereo Condenser Mic Capsule Attachment for H5 and H6 Recorders

X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording. The optional XYH-5 X/Y microphone capsule provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to isolate the unit from the H5/H6 body and thus minimize vibration and handling noise. The design of the XYH-5 also allows the H5/H6 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise—equivalent to the sound of a jet aircraft from less than 200 feet away—enabling you to capture sounds louder, closer, and cleaner than you ever could before.

Features:

  • Two, Matched, Unidirectional Microphones

  • Maximum SPL of 140dB

  • 90 Degree X/Y Angle

  • Studio, Live, Rehearsal, TV Broadcast

Zoom H6 Portable Handheld Recorder with Interchangeable Mic Capsules

Specs:

  • Recording Media: 16MB - 2GB SD cards; 4GB - 32GB SDHC cards; 64GB - 128GB SDXC cards
  • XY mic (XYH-6): 
    Mic Type: Unidirectional

    Sensitivity: –41 dB, 1 kHz at 1 Pa
    Input Gain: –∞ to 46.5 dB
    Maximum Sound Pressure Input: 136 dB SPL

    [MIC/LINE IN]
    Connector: 1/8" stereo mini jack
    Input Gain: –∞ to 46.5 dB
    Input Impedance: 2 kΩ or more
    Plug-in Power: 2.5V supported
  • Inputs 1 to 4:
    Connectors: XLR/TRS combo jacks
    (XLR: 2 hot / TRS: TIP hot)
    Input Gain (PAD OFF): –∞ to 55.5 dB
    Input Gain (PAD ON): –∞ to 35.5 dB
    Input Impedance 6.8kΩ
    Maximum Input Level: +22 dBu (PAD ON)
    Phantom Power: +12V / +24V / +48V
    Equivalent Input Noise (EIN): –120 dBu or less
  • Line Out:
    Connector: 1/8" stereo mini jack
    Rated Output Level: –10 dBu
    (when output load impedance is 10 kΩ or more)
  • Phone Out:
    Connector: 1/8" stereo mini jack
    Output Level: 20 mW + 20 mW (into 32Ω load)
  • Built-in Speaker:
    400 mW/8 Ω mono speaker   
  • Recording Formats:
    WAV Setting: Sampling frequency: 44.1/48/96kHz
    Bit Rate: 16/24-bit (Mono/Stereo, BWF-compliant)
    Maximum Simultaneous Recording Tracks: 8 Tracks + L/R backup)

    Backup recording: 12dB lower than set L/R gain

    MP3 Setting:
    Sampling Frequency: 44.1kHz
    Bit Rate:48-320 kbps
    Maximum Simultaneous Recording Tracks: 2 Tracks
  • Recording time (with 2 GB card): 
  • 03:08:00 (44.1kHz/16-bit WAV)
    34:43:00 (128kbps MP3)
  • Display: 2.0-inch full color LCD (128 x 64 pixels) with backlight
  • USB:
    [Mass Storage Class operation]
    Class: USB2.0 High Speed

    [Audio Interface operation: Multi-track mode]
    Class: USB2.0 High Speed
    Inputs / Outputs: 6 / 2
    Sampling Frequency: 44.1/48 kHz
    Bit Rate: 16/24bit

    Note: Use with Windows requires a driver, but Macintosh does not.

    [Audio Interface operation: Stereo mode]
    Class: USB2.0 Full Speed
    Inputs / Outputs: 2 / 2
    Sampling Frequency: 44.1/48kHz
    Bit Rate: 16 bit

    Note: iPad operation supported in stereo mode only. 
  • Battery Life (with alkaline battery):
    STEREO FILE mode
    XY mic, 44.1kHz/16-bit (stereo x 1): about 21 hours 
    XY mic and Inputs 1, 2,3 and 4 used, 96kHz/24-bit (stereo x 3): about 9 hours 45 minutes

    Note: The above times are estimates. Approximate continuous recording times when using battery power were calculated using our own testing method. They may differ greatly depending on operating conditions. 
  • Power:
    AA size (LR6) battery x 2
    AC adapter: AD-17 (DC5V/1A/USB-type) (optional)
    USB bus power   
  • Dimensions:
    H6: 77.8mm(W)x 152.8mm(D)x 47.8mm(H)
    XYH-6: 78.9mm(W)x 60.2mm(D)x 45.2mm(H)
    MSH-6: 58.0mm(W)x 67.6mm(D)x 42.1mm(H)   
  • Weight: H6: 280g (without batteries)
    XYH-6: 130g
    MSH-6: 85g   
  • Included Accessories: Operation manual, XYH-6 X/Y mic capsule, MSH-6 MS mic capsule, SD card (2GB), AA size (LR6) battery x 4, Cubase LE Software, WSH-6S Foam Windscreen, USB Cable, Case

 

SKB iSeries Injection Molded Case for Zoom H6 Recorder with Shotgun Mic Slot

Interior Length 12.00 in 30.48 cm
Interior Width 9.00 in 22.86 cm
Interior Depth 4.50 in 11.43 cm
Exterior Length 13.18 in 33.48 cm
Exterior Width 11.12 in 28.24 cm
Exterior Depth 5.21 in 13.23 cm
Carton Length 14.50 in 36.83 cm
Carton Width 12.00 in 30.48 cm
Carton Depth 7.00 in 17.78 cm
Lid Depth 1.50 in 3.81 cm
Base Depth 3.00 in 7.62 cm
Shipping Weight 5.00 lb 2.27 kg
Product Weight 3.60 lb 1.63 kg

Adata Premier SDHC UHS-I U1 ASDH32GUICL10-R Memory Card 32GB

Capacity 32GB
Standard SDA 2.0
Dimensions (L x W x H) 24 x 32 x 2.1mm  (W x H x D)
Weight 2g
Voltage 2.7~3.6V
Performance Speed (read) : 10~14 (MB/s)**
Speed (write) : 4~5 (MB/s)**
Certifications FCC, CE, BSMI, VCCI
Warranty Life-Time warranty
Note **Read/write speed based on ADATA internal testing; performance may be lower depending on host device.
Speed Class Speed Class : Class 4
Compatibility Digital Camera / DSLR / Camcorder
Operating temperature -25°C (-13°F) ~ 85°C (185°F)

 

 

More Information
Condition New
SKU BU-H6AP32SKB-XYH5
UPC 7019163426
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