Legendary tape tone
The TASCAM 388 was a large format studio in one unit. It featured a standard mixer with full faders along with a tape machine section, which could perform 8-track multi-track recording. The sound of the 388 is described as "magic" by many musicians, becoming legendary over the years.
The TASCAM 388 remains the most sought-after tape recorder ever made by TEAC or TASCAM. You can easily spend $5,000 or more for a working unit today. You'll find in this officially certified plug-in version, for a fraction of the cost, the original's tone-tweaking controls and exactly the right sonic flavor to enhance your next musical production.
From TASCAM DNA to IK DSP
For the T-RackS TASCAM Tape collection, each machine was chosen specifically by TASCAM and TEAC themselves, recommending particularly sought-after models from their history and helping IK source the best-sounding units. Each machine then went through a complete restoration to bring them perfectly back “to spec” before the scientific modelling process started.
IK’s DSP engineering team then took each stage apart, analyzed them in-depth, and produced a model of the entire magnetic tape-recording process. This model works in symbiosis with a powerful dynamic convolution engine to capture the essence of the real machines, faithfully bringing the complete picture of these complex analog engineering marvels to the digital realm.
The program coming out of these units is very similar to the one coming in, just better. It's subtle, but the impact is anything but.
And the T-RackS TASCAM Tape collection faithfully brings all this magic right to your DAW.
4 magic formulas
Choose from 4 different tape formulations, each with its own unique tone:
- 35: Modelled after the BASF LPR35, this is the formula TASCAM recommends for enhancing the great tone of the TASCAM 388.
- 456: Modelled after the Ampex 456 formula, this model went into production around 1974. Perhaps the most widely used tape, it contributed the most to what is considered “the” tape sound. It offers a warm, round tone with a slight touch of saturation that greatly responds to the recording level.
- GP9: Modelled after the Quantegy GP9 formula, this tape accepts higher levels of signal with minimal distortion and compression. It’s very punchy and perfect for modern, high quality analog recordings.
- 499: Modelled after the Ampex 499 formula, this tape is designed to handle a great amount of level with minimal distortion and compression. It also exhibits added high frequency definition that makes it perfect for printing “digital-like” recordings, while still maintaining an analog sound.
All TASCAM Tape Collection plug-ins share the same set of controls to enhance the ease of use and allow for quick A-B comparisons among them. Key features include:
- Signal path selection: With “Input,” the signal only passes through the input and output electronic stages of the recorders, bypassing the tape. Depending on how the recorder is designed, the “Input” path can sound extremely transparent or just slightly more colored. “Repro” passes your signal through the entire analog recording system: input-> recording amplifier -> recording head -> tape -> playback head -> playback preamplifier -> output stage.
- True Stereo: Even a perfectly aligned tape machine will have slight level, EQ and distortion differences between the left and right channels. This is good and part of the analog recording mojo! The TASCAM Tape Collection perfectly recreates these subtle differences to deliver the real experience. If perfectly identical left and right channel processing is a must, simply disable this feature.
- Tape Speed: Select the speed of the tape transport between 7.5 and 15 or 15 and 30 inches per second (“ips”), depending on the tape machine used. The higher speed gives you more fidelity, and the lower speed delivers a warmer, rounder tone.
- Transport Modeling: Precisely models the behavior of the mechanical transport. Small irregularities in the movement of the tape creates various degrees of sonic alteration to the audio program, especially between the two channels. Keep it on for the magic to happen! In case a perfectly steady performance is needed, just disable the control.
- Record Bias: Ideal bias voltage settings provide maximum sensitivity and low distortion. Intentionally overbiasing is a common technique to produce a warmer, gently saturated sound. Underbiasing can be used to nicely boost the high frequencies in a truly unique way and add distortion and other nonlinear effects.
Also included in
- T-RackS TASCAM Tape Collection
- T-RackS 5 MAX v2
- Total Studio 4 MAX
- T-RackS individual processor module
- Full 14 day free trial period
- Individual processor or part of the T-RackS processing chain
- 64-bit native support
- 32-bit 192 kHz support
- T-RackS Custom Shop integration
- Also available as part of T-RackS TASCAM Tape Collection
- Works within the T-RackS CS Standalone application and as plug-in
- High-quality oversampling
- High-precision and high-transparency digital processors
- Accurately analog-modeled vintage classic devices
- Full-latency compensation support
- Supports sampling rates up to 192 kHz
- DSM™ and SCC™ proprietary IK technologies for extremely accurate digital models of analog hardware devices
- Native compatibility with 64-bit applications and operating systems
T-RackS 5 is a 64-bit application and requires a 64 bit CPU and Operating System.
- Mac® (64-bits)
- Minimal: Intel® Core™ 2 Duo, 4 GB of RAM (8 GB suggested), macOS 10.10 or later.
- Supported Plug-in formats (64-bit): Audio Units, VST 2, VST 3, AAX.
- Windows® (64-bits)
- Minimal: Intel® Core™ 2 Duo or AMD Athlon™ 64 X2, 4 GB of RAM (8 GB suggested), Windows® 7, Windows® 8 or Windows® 10. Requires an ASIO compatible sound card.
- Supported Plug-in formats (64-bit): VST 2, VST 3, AAX.