Paul Reed Smith PRS Private Stock Modern Eagle V Piezo Guitar, Aqua Violet Glow

Private Stock represents the highest quality of materials, the most personally crafted instruments, and the greatest level of customization available from PRS. Whether you choose one of our Private Stock models or spec a Built to Order instrument, every Private Stock is carefully conceived and built with a “one-off” mentality. Through this program, we strive to deliver heirloom-quality, musical instruments. All woods for this guitar were hand-selected by the dealer during a trip to our Private Stock vault in Maryland.

"I have never seen anyone playing guitar in a bad mood. There’s something magic about guitars because they are simultaneously art, musical instruments, treasured possessions, and tools to joyfully spend time with. If you get an extraordinary instrument from Private Stock that is equally as good as a family heirloom and a musician’s tool to make a living on, we have done our job." - Paul Reed Smith

Unique features to this PRS Private Stock guitar are:

- The dealer hand-selected all of the woods used
- The top is a 1-piece quilt maple top
- Figured mahogany back
- Brazilian rosewood fretboard and headstock veneer
- 30th anniversary bird inlay pattern with blue stained flame maple inlays and paua outlines
- Paua purfling on the fretboard and headstock

“The Private Stock Modern Eagle V Piezo is a sophisticated instrument not only in its craftsmanship but electronically and mechanically,” said Paul Reed Smith. “Modern Eagle models have always been designed to stand up to history while celebrating tonewoods and the discovery of new tones. These instruments are the embodiment of that tradition married with the bold innovation of Private Stock and a new pickup system.”

The Private Stock Modern Eagle V Piezo utilizes a hum/single/hum (five-coil) pickup configuration along with PRS's LR Baggs-designed piezo system. It introduces a new and unique switching system that gives players a vast array of tones in one guitar. The 5-way blade switch selects the pickups just as the 509 does (treble, treble and middle, middle, middle and bass, bass). The two paired mini-toggles separate the slug-side coils, turning the humbuckers into true, “TCI-tuned” single coils. There is a single volume and a push/pull tone control that activates both humbuckers when engaged; this allows players to access three pickups simultaneously. Finally, there is a third mini-toggle that changes the volume pot value from 500k to 250k, which gives the guitar a totally different palette of tones. This electronics design puts a whole set of classic and new tones at your fingertips.

It’s All in the Details: TCI-Tuned Pickups

Paul Reed Smith is known as a man who studies history, scrutinizes the details, and never stops applying what he learns to his own instruments. It is that passion, care, and tenacity that has permeated PRS Guitars’ culture and led to the constant evolution of PRS products. Last year, PRS announced TCI (tuned capacitance and inductance) pickups on the Paul’s Guitar. But, TCI is more than a pickup, it’s a process.

“TCI stands for Tuned Capacitance Inductance. When you wind a pickup, the coils are capacitors, resistors, and inductors simultaneously. Our more refined ability to be able to tune those factors is what we have incorporated into TCI pickups,” said Paul Reed Smith. “To our ears, the results are very musical. We are very proud of how far we’ve come in the understanding and making of pickups. It’s been a fun process.”

PATTERN NECK SHAPES

Neck shapes have always been a high priority for PRS and a hallmark of our quality. A guitar should feel comfortable, like "home," as soon as you pick it up, and the neck is paramount to that connection. These new neck shapes reflect modern tooling and programming that allows us to even more preciously shape and consistently reproduce our necks. Perfected after years of prototyping, the new "Pattern" neck is an updated Wide Fat PRS neck style based on Paul’s pre-factory design. These necks were found on the instruments built for Carlos Santana, Peter Frampton and Howard Leese from the late 70’s to the mid 80’s.