This product has been discontinued.

We have discontinued this product permanently. Please find alternative products from below section.

Presonus AR16 Mixer + Mackie Thump15 15" Powered Speakers + Stands Bundle

SKU
BU-AR16-THUMP15-PKG
Presonus AR16 Mixer + Mackie Thump15 15" Powered Speakers + Stands Bundle
Presonus AR16 Mixer + Mackie Thump15 15" Powered Speakers + Stands Bundle

Mackie TH-15 Thump 15 1000W 15” Powered Speaker

Only Mackie Thump Powered Loudspeakers deliver the class-leading, chest-thumping low end you deserve. Each Thump delivers 1000+ watts of power, providing the high-output you need in a package that’s tough, lightweight and portable. Designed by the world’s leader in portable live sound, Thump offers unique features like a user-adjustable 3-band EQ for unparalleled control over your sound. The Thump12 and Thump15 full-range models both pair perfectly with the Thump18S subwoofer for a floor-shaking system perfect for DJs and live sound gigs. With real-world power levels, flexible and portable designs and class-leading bass response you can be confident that a Thump offers the best performance for your money.

Features

1000W TOTAL SYSTEM POWER

  • Gig-ready, high-output design
  • Ultra-efficient Class-D amplification

CLASS-LEADING, CHEST-THUMPING LOW END

  • 15″ high-output woofer / 1.4’’ titanium dome compression driver
  • Dynamic bass response delivers amazing lows at all volumes

TOTAL SYSTEM OPTIMIZATION

  • Precision 2-way crossover
  • Transducer time alignment
  • System protection / limiting

APPLICATION FLEXIBLE

  • 3-band EQ with sweepable mid to dial in the perfect sound
  • Mic/line input allows direct connection of microphone
  • Flexible mounting options including tripod and pole-mounting
  • Angled design perfect for use as a stage monitor

LIGHTWEIGHT AND PORTABLE

  • Rugged polypropylene construction designed for heavy use
  • 33.2 lbs / 15.1 kg

Ultimate Support JS-TS50-2 Pair of Tripod Speaker Stand with Carrying Bag

Speaker stands need to be both sturdy and easy to move. The Speaker Stand (Pair) fits on both accounts, giving you a stable environment in which to elevate your speakers to optimum height. Crafted from aluminum and powder-coated for finish durability, these stands will give you years of service. Each stand can hold up to 120 lbs. The strong telescoping and leg collars provide a stable stand for your speakers. The height adjustment collar has a safety pin for extra security. The JS-TS50-2 also includes a handy carry bag for FREE!


JS-TS50-2 Pair of Tripod Speaker Stand with FREE Carrying BagFeatures:

  • Part Name: JS-TS50-2

  • Long-lasting aluminum construction

  • Durable powder-coated finish

  • Tripod base is very stable and sturdy

  • Stand is height-adjustable

  • Carrying bag included for FREE!

  • Holds up to 120 lbs.

  • Height 46.5" - 81.5"

Pig Hog PHM20 8mm Microphone XLR Cable 20ft

Pig Hog cables are precisely overbuilt to stand up to the most grueling tour conditions imaginable. They feature extra-thick 8mm wire, performance quality connectors, and tension-resistant stress relief. And with Pig Hog's "no question" lifetime guarantee, we've got your back for the life of the cable. Don't settle for those fat-free cables. Grab hold of a Pig Hog!

Features

  • High performance microphone cable

  • 8mm high quality rubber outer covering

  • Heat shrink protected connectors

  • Lifetime guarantee

PreSonus StudioLive AR16 USB 18-Channel Hybrid Digital/ Analog Production Mixer with USB Recording

All of the connections and controls you need.

StudioLive AR16 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the eight mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicate bus, for feeding stage wedges, a headphone amp, or an in-ear system. Since the StudioLive AR16 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.

Plug guitars and basses directly into the mixer.

Most mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.

Fly in backing tracks and play break music, too!

Both the integrated USB recording interface and the SD recorder have multiple uses beyond simply recording. With just a few backing tracks, your small band can sound like a much larger act, so we enabled the USB interface to play back two stereo streams through the mixer—great for backing tracks, click tracks, or program music. Use the SD recorder to play up to 32 GB of MP3 and .WAV files for hours of program music or backing tracks without needing a computer. And don’t forget the Bluetooth feature in the Super Channel, which lets you play break music straight from your smartphone. With several ways to get the job done, you can work the way you want to.​

Integrated software makes recording a snap.

PreSonus StudioLive AR mixers are tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Record with PreSonus’ Capture live-recording software, then edit in our award-winning Studio One® Artist DAW (recording and production software); both are included free.

Sweeten with digital effects for a polished, professional-caliber sound.

To get a great mix, you need high-quality effects. The StudioLive AR16 USB has you covered with an internal stereo effects processor with 16 presets, including an assortment of room, hall, and plate reverbs; chorus and delay effects; even a preset that emulates an acoustically treated studio room to provide a warmer, more intimate tone. A dedicated effects return, complete with master level fader and dedicated monitor sends, lets you adjust the amount of the effects in your main and monitor mixes. You can even bypass the effects with a footswitch (optional). It’s just another way that StudioLive AR mixers enable you to build professional-quality mixes and recordings quickly and easily.

A complete solution that’s compact, easy to use, and built for the road.

Compact and built for the road, the StudioLive AR16 USB is an easy-to-use, all-in-one solution for audio mixing and recording. With a wide variety of connections, two ways to record, and a simple, elegant mixing surface, it will quickly become the heart of your live and studio sound systems. Check it out now at your favorite PreSonus dealer!

Live Recording Software

Designed exclusively for StudioLive mixers, free Capture multitrack recording software for Mac® and Windows® allows instant setup and one-click recording of up to 34 tracks at up to 96 kHz (or 64 tracks at up to 48 kHz), directly from the mixer, with no configuration. Capture simplifies your live-recording environment, providing only the tools necessary to do a true virtual soundcheck and record a great performance, without placing huge demands on your CPU. And because Capture looks and operates like a classic multitrack hard-disk recorder, it’s instantly familiar. Best of all, Capture uses the highly lauded, 64-bit, Studio One® audio engine, so your tracks will sound amazing!

Creative Music Production Environment

Studio One is a completely modern professional environment for music recording, mixing, mastering, sharing, and collaboration. It’s Internet-savvy and provides a complete solution, combining the features you really need with the ease of use you always dreamed of. Based on an elegant user interface and a content browser with powerful drag-and-drop functionality, feature-rich Studio One will let you work quickly and stay focused on your inspiration.

Features

Channels and Buses

  • 18-channel mixer
  • 8 mono and 4 stereo channels, each with:1 stereo Super Channel (Ch. 17/18)
    • 60 mm level fader
    • Pan
    • Mute
    • PFL solo
  • 2 monitor buses with PFL solo
  • 1 stereo effects bus
  • 1 stereo effects return with:
    • 60 mm master fader
    • Dedicated monitor sends
    • Effects bypass footswitch jack

Inputs and Outputs

  • 2 instrument inputs
  • 16 balanced line inputs
  • 2 unbalanced inserts
  • 12 balanced mic inputs with:
    • Class A microphone preamp
    • Global 48V phantom power
  • Stereo Super Channel with:L/R XLR main outputs
    • Stereo RCA inputs
    • 1/8-inch stereo input
    • Switchable SD™/USB stereo playback
    • Bluetooth 4.1 input
  • 2 balanced TRS monitor outputs
  • 1 balanced TRS effects output
  • L/R Control Room outputs with level control
  • Headphone output with level control

Signal Processing

  • Highpass filter on every channel
  • Mono channels: 3-band semi-parametric EQ with sweepable mid-band
  • Stereo channels: 3-band semi-parametric EQ
  • Stereo effects processor with 16 presets

Recording Options

  • 18x4 24-bit/96 kHz, USB 2.0 audio recording interface
    • Record every channel plus the Main Mix
  • 2x2 SD recorder
    • Record main mix
    • Supports SD™ and SDHC™ formats up to 32 GB

Integrated Software

  • Capture™ recording software
  • Studio One ® 3 Artist recording and production software (DAW)

Power

  • Internal power supply
  • Standard IEC power connector

Physical

  • Sturdy metal construction
  • 60 mm faders
  • Rackmount kit included

Ultimate Support JS-TS50-2 Pair of Tripod Speaker Stand with Carrying Bag

Specs:

  • Product Name: JS-TS50-2

  • Part Number: 17318

  • Height: 46.5” – 81.5”

  • Base Diameter: 47”

  • Load Capacity: 120 lbs.

  • Telescoping Tube: 1 3/8” (35mm)

  • Weight (Per Stand): 4.2 lbs.

PreSonus StudioLive AR16 USB 18-Channel Hybrid Digital/ Analog Production Mixer with USB Recording

Technical Specifications

Microphone Preamp 
Type XLR Female, Class A
Maximum Input level (unity gain) +22 dBu, ±1.0 dB
Gain Control Range Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB
Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5/- 1.5 dB
S/N Ratio to Outputs (+4 dBu) 94 dB
THD+N (min. gain, A-wtd) < 0.01%
Input Impedance 1 kΩ
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) < 128 dBu
Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB
Phantom Power +48V, ±3V, Global
Note: All Channel Inputs sum through Mic preamp  
Instrument Inputs 
Type ¼” TS Female, Unbalanced, Hi-Z
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu ±1.0 dB
Gain Control Range 50 dB, ±1 dB (Unity to +50 dB)
Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5/-1.5 dB
Dynamic Range (min. gain, A-wtd) > 105 dB dB
Dynamic Range (mid. Gain, unwtd) > 100 dB
THD+N (1 kHz, -1 dBFS, A-wtd) < 0.01%
THD+N (1 kHz, -1 dBFS, unwtd) < 0.01%
Input Impedance > 1 MΩ
Note: All Channel Inputs sum through Mic preamp  
Line Inputs 
Type ¼” TRS Female, Balanced
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu, ±1.0 dB
Gain Control Range Mono Channels 50 dB, ±1 dB (-20 to +30 dB),​ Stereo Channel 50 dB, ±1 dB (-15 to +25 dB)
Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct) 10 Hz to 40 kHz, +0.5/-1.5 dB
S/N Ratio to Analog Outputs (+4 dBu) 94 dB
THD+N (1 kHz, -1 dBFS, A-wtd) < 0.01%
Input Impedance (Balanced) 10 kΩ
Note: All Channel Inputs sum through Mic preamp  
Main, Control Room, Monitor, and FX Outputs 
Type (Main Outputs) XLR Male, Impedance Balanced
Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced
Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB
Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu
Frequency Response 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (A-wtd) > 108 dB
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) < 0.01%
Output Impedance 100 Ω
Headphone Output 
Type ¼” TRS Female, Stereo, Unbalanced
Maximum Output Level 150 mW/channel @ 60 Ω
Frequency Response 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (A-wtd) > 103 dB
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) < 0.01%
System Crosstalk 
Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -85 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -80 dBu
Signal Level LED 
Signal -50 dBFS (pre-EQ)
Clip -3.0 dB before clip (pre- or post-EQ)
Graphic EQ 
Low Cut 100 Hz, -18 dB/Octave
High Shelving ±15 dB @ 12 kHz
Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable)
Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz
Mid-Band Q Fixed, 0.55
Low Shelving ±15 dB @ 80 Hz
Digital Audio 
Host Interface USB 2.0
ADC Dynamic Range (Component) 114 dB
ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB
DAC Dynamic Range (Component) 114 dB
DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB
Bit Depth 24 bits
Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz
Jitter < 80 ps RMS (20 Hz – 20 kHz)
Jitter Attenuation > 60 dB (1 ns in => 1 ps out)
SD™ Recorder 
Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card
Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB
Recording File Format Stereo WAV
Playback File Formats Stereo WAV, MP3
Sampling Rate (WAV) 44.1 kHz
Bit Depth (Recorded WAV) 24 bits
Power / Environmental 
Connector IEC
Physical 
Height 3.7” (95 mm)
Width 20” (507 mm)
Depth 15.4” (390 mm)
More Information
Condition New
SKU BU-AR16-THUMP15-PKG
UPC 7048520601
Write Your Own Review
Only registered users can write reviews. Please Sign in or create an account